Sonia DELAUNAY 1885-1979
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Sonia DELAUNAYRythme coloré (recto & verso), 1952 - 1970Gouache on paperSold -
Sonia DELAUNAYRythme couleur, 1965Gouache and charcoal on paper -
Sonia DELAUNAYProjet de couverture (Cover project), 1967Gouache and pencil on card -
Sonia DELAUNAYRythme couleur (Color rhythm), 1970Gouache and black chalk on paperSold -
Sonia DELAUNAYRythme couleur (Color rhythm), 1972Gouache on paper -
Sonia DELAUNAYRythme couleur (Color rhythm), 1973Oil on canvas -
Sonia DELAUNAYRythme couleur (Color rhythm), 1975Gouache and charcoal on paper
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TEFAF Maastricht 2026, stand 480
Salon & Art Fair 14 - 19 March 2026TEFAF Maastricht is widely recognized as the world's largest fair dedicated to Fine Art, Antiques, and Design, bringing together 7,000 years of art history in one venue. With over 260...Read more -
Sonia Delaunay: Painting Joy!
Selection at the Gallery 12 March - 30 April 2026Galerie de la Présidence is pleased to present a selection of works by Sonia Delaunay. A pioneering artist of abstraction , Sonia Delaunay is a major figure in modern art....Read more
Sonia Delaunay was born in Russia and arrived in France in 1905. She married Robert Delaunay in 1910. Their union was enhanced by mutual inspiration and joint research on movement and colour. They were both particularly interested in Eugène Chevreul’s colour theory published in 1839 entitled ‘The Law of Simultaneous Colour Contrast’.
Sonia Delaunay: the strength of the color
Sonia Delaunay was born in Russia and arrived in France in 1905. She married Robert Delaunay in 1910. Their union was enhanced by mutual inspiration and joint research on movement and colour. They were both particularly interested in Eugène Chevreul’s colour theory published in 1839 entitled ‘The Law of Simultaneous Colour Contrast’.
Their painting set up a colourful structure that then became both the form and the subject of their work. They created a non-objective painting style that tried to express the rhythm of modern society and ended in 1912 with pure and abstract painting. Their paintings were then called Orphic Cubism by Guillaume Apollinaire that applied to works that celebrate life by focusing their research on the manifestations of light, seen as an original creator principle.
After the death of Robert Delaunay in 1941, she continued his experiments. She is the first woman to have had a retrospective at the Bing Gallery in 1953.
From 17 October 2014 to 22 February 201, the Musée d’Art Moderne de la Ville de Paris organized the first major Sonia Delaunay retrospective in Paris since 1967, with three remarkably recreated environments and over 400 works: paintings, wall decorations, gouaches, prints, fashion items and textiles.
This exhibition was shown at Tate Modern in London between 15 April and 9 August 2015. This was the first UK retrospective to assess the breadth of her vibrant artistic practice across a wide range of media.
A catalogue of 256 pages was also published by Paris Musées.

